I’ve got my new jellyfish tattoo. Its on my left arm, elbow, shoulder, scapula, and chest. Yes…its large. Its a jellyfish designed and inked by Jeff Cornell of Hidden Hand Tattoo on MySpace (or Hidden Hand Tattoo website) in Seattle, Washington.
Jeff did my first tattoo, the tree on my right arm. I knew I wanted a tattoo and thought about what it would be for years. Long time ago I wanted a musical note but it evolved into a tree and then into a specific symbol of a tree and not a specific tree. I had scoured Seattle, looking at dozens of portfolios until I found Jeff. We consulted, I brought in pictures, he sketched, I tweaked, he sketched, then inked. I love it; the tree not the six hours of pain.
So then came the thought, “Do I get another?” Yes! So what would it be? I wanted to have another tree but not a tree. So I though about the ocean. Trees are in forests. There are forests of seaweed. So I decided to get seaweed on my arm. Again I researched online and in the Seattle library. In the library, I found a 20th century scientific book that was specifically on Pacific Northwest seaweed. I found a couple of images in there that were good. Then, I found two books from the 19th and 18th century.
Albertus Seba’s Cabinet of Natural Curiosities: The Complete Plates in Colour, 1734-1765
is filled with illustrations of plants, sea shells, insects, coral, and more. He was an Amsterdam pharmacist and collected all kinds of curiosities from around the world. So much that his collection and later the book he published from illustrations he commissioned of his collection became world known and is one of the 18th century’s greatest natural history achievements. Some of the animals illustrated are now extinct. I was in illustration wonderland. I particularly love the coral.
Then I found Ernst Haeckel’s “Kunstformen der Natur” aka Art Forms in Nature
published in sections from 1899 to 1904. Its a stellar book filled with sea creatures, microscopic animals, plants, and a few land animals. There is so much in this book that I like, its hard to not want the book printed all over my body.
But one image stuck with me. The Discomedusae. The jellyfish. I decided that I wanted a jellyfish inspired by these illustrations but for it to be Jeff Cornell’s original artwork. Jeff’s extremely talented and I trust in him. When I was in Seattle earlier this year, I consulted with him, left references for him to noodle on and sketch, and made an appointment for October 4th. An all day appointment.
I grabbed another cup of Vivace coffee, a bagel, and hopped a taxi to his Fremont studio. We tweaked his sketch some and he made a transfer to a stencil. The first, second, and third transfer of the stencil to my arm weren’t quiet right. Number four was the magic one. And then the pain began.
We went for about eight hours with a lunch break and a few shorter ones. A combination of pain and the length of time in pain was a lot; more than the tree tattoo he put on my left arm. He’s a very skilled artist; the pain is just a temporary pain and part of the experience. I could see that we wouldn’t finish it all in one day. There’s a lot of detail and its just big. I’ve got another 6-8 hours of work to go and have made an appointment for his first available full day which is in Jan. I’m extremely happy with how it looks, how it is healing, and the whole experience. Jeff is good and in demand!